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Timothy Judd, Suzuki Violin Lessons
Timothy Judd, Suzuki Violin Lessons
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Latest Listeners’ Club Posts

  • Glazunov’s “The Seasons” (Autumn): A Bacchanale Amid Falling Leaves September 22, 2025
    Alexander Glazunov’s allegorical one-act ballet, The Seasons, Op. 67, depicts nature’s cycle of death and rebirth. The deep frigid sleep of winter gives way to the blossoms of youth and sunshine. The ballet concludes with the abundance of autumn. It is a vibrant and celebratory bacchanale amid falling leaves. A student of Balakirev and Rims […]
  • Brahms’ Intermezzo in A Major, Op. 118, No. 2: Emanuel Ax September 19, 2025
    Completed in 1893, the Six Pieces for Piano, Op. 118 were among Johannes Brahms’ final works. They drift into a world of dreamy introspection and wistful nostalgia. The lengthening shadows of autumn are at hand. Brahms dedicated the collection to Clara Schumann. Op. 118, No. 2, the Intermezzo in A Major, is at once majestic, melancholy, and […]
  • Bizet’s “Carmen”: Three Celebrated Excerpts September 17, 2025
    Filled with infectious melodies and sultry exoticism, Georges Bizet’s 1875 Carmen is one of the most popular and performed operas. Set in Seville, Spain, it tells the tragic story of a free-spirited Romani woman (Carmen) who seduces the soldier, Don José. He leaves his fiancée and deserts the army to be with her, but Carmen soon grows tired […]
  • Schumann’s Konzertstück for Four Horns: A Novel Showcase for an Instrument Reborn September 15, 2025
    In the early 19th century, valves began to appear on horns. It was an innovation which expanded the instrument’s virtuosic possibilities. Previously limited to a series of pitches based on the harmonic series, the horn could now glide up and down the chromatic scale. Robert Schumann took notice and was eager to exploit the new technology. H […]
  • “Gottes Zeit ist die allerbeste Zeit”: György Kurtág’s Sublime Transcription of Bach September 12, 2025
    In an interview, the Hungarian composer György Kurtág (b. 1926) was asked if he is a believer. His answer was uncertain: I do not know. I toy with the idea. Consciously, I am certainly an atheist, but I do not say it out loud, because if I look at Bach, I cannot be an atheist. Then I have to accept the way he believed. His music never stops […]
  • Remembering Christoph von Dohnányi September 10, 2025
    Christoph von Dohnányi, the German conductor and longtime music director of the Cleveland Orchestra, passed away last Saturday, September 6, two days shy of his 96th birthday. Dohnányi was born in Berlin into a high profile family.  His grandfather was Ernst von Dohnányi, a Hungarian composer and pianist. His uncle was the Lutheran theologi […]
  • Bach’s Cantata, BWV 106, “Actus Tragicus”: Death and Redemption September 8, 2025
    Bach’s Cantata, BWV 106 is a gentle and intimate reflection on death and redemption. It is titled, Gottes Zeit ist die allerbeste Zeit (“God’s time is the best time”), with the subtitle Actus Tragicus. The Cantata is scored for an unusual combination of instruments which the Netherlands Bach Society calls famous, idiosyncratic, exceptionall […]
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  • Lessons
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  • Bio
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